[personal profile] gategrrl
Who else has started hating "will they or won't they" situations on television shows? The Watcher (Mo) who writes for the Chicago Tribune has stated she's dropping Bones from her list of shows to watch and review. The comments to the article are interesting, too.

Date: 2009-09-20 04:04 am (UTC)
From: [identity profile] amycooper.livejournal.com
I think it all depends on the show, but too often they stretch things to the point of it being absurd. Since I've only seen about 7 episodes of Bones at this point (but am starting to totally fangirl it) I'm not capable of making a call there.

Date: 2009-09-20 04:18 am (UTC)
From: [identity profile] gategrrl.livejournal.com
Bones has tons of other absurdities going for it, like the totally SFnal technology they use, and the magical appearing DNA test results: it's as bad if not worse than all the CSI variations put together. I don't even bother to watch CSI, since they can pull a technological rabbit out of the hat and save the day. Ooops. That's another subject completely!

Date: 2009-09-20 04:21 am (UTC)
ext_3440: (Default)
From: [identity profile] tejas.livejournal.com
The problem comes in when it's a show that never had that built into the structure in the first place. X-Files, Stargate, NCIS, none of these were structurally designed for romance. Trying to insert it, seemingly at random, after the series was established, simply didn't (and still doesn't) work.

Date: 2009-09-20 04:50 am (UTC)
From: [identity profile] gategrrl.livejournal.com
Oh, I agree, there are shows for which it is designed into the fabric of the show's bible. BUT, even so, wouldn't it be nice, great and wonderful, even, if the writer/producers either shat or got off the pot? Progress it? Back them off?

Psych actually did that this past season. The tension between him and Juliet O'Hara, the cop, was simply getting too heavy-handed (and the actors were/are dating in real life) so the writers wrote in a girlfriend for Sean. The tension went way down. Either they couldn't figure out a way to NOT make it into a soap opera of immense proportions, or it was getting too weird for the actors (or some other reason). I like what Psych did. There's still a hint that he's mooning after Juliet, but it's not nearly as bad as it was.

For Bones...if the reasons two characters are kept apart reach Stargate proportions (there's that word again!) then they really should shit or get off it. I FF through all the relationship crap on that show anyway to see the newest most absurd murder being solved in yet another absurd SFnal way, but I still have to see it sometimes.

Date: 2009-09-20 05:04 am (UTC)
ext_3440: (Default)
From: [identity profile] tejas.livejournal.com
Oh, I agree completely. If you're going to do it, do it. If not, don't even HINT at it. And if there are serious barriers to the relationship, you've got to decide if it's worth messing with. Frankly, if there are serious barriers, that alone will end up taking up so much show real estate that the show will be about nothing else.

Date: 2009-09-20 05:02 am (UTC)
nialla: (Farscape - Moya)
From: [personal profile] nialla
It seems in the Great Will They Or Won't They Debate, the majority of writers tend to camp on the "Won't" side, as they have no idea how to write an ongoing couple in a realistic way. If they're not already in the "OMG we'll die like Moonlighting!" camp.

Writers think there must be a conflict. So they rely on the soap opera standard of if a couple does get together after a long dance of UST, it should immediately be followed by one or both cheating, a love triangle, fake or real death, etc., so they can "shake things up" and create conflict again. Character conflict =/= plot.

Whenever the question comes up amongst general viewers, it's often assumed someone has got to have sex, if not a happily ever after, and if the writers are going to tease about a couple, then they'd damn well better payoff. With interest.

Which I'd be fine with in shows in which such relationships work within the overall show. In other shows, I'd much rather the writers pretend the female character is male and just get on with the show. Because no one would think of WTOWT with two men. No, never ever! *g*

I've gotten to the point now where I watch pilots with the WTOWT factor in mind. The higher the probably the show will waste a lot of time on that instead of, you know, a plot, the less likely I'll be to tune in again.

Two het couples I fondly ship are John/Aeryn in Farscape, which was WTOWT with payoff, and Zoe/Wash in Firefly, who started off the series as a married couple (and ended with a side of "Damn you, Joss Whedon!").

Those relationships made sense within their shows. John and Aeryn did have a buildup, but it was a component obviously built in to the storyline, not added as a tease.

Then with Zoe and Wash, I always wondered how two such different people got together, but it was completely obvious they were deeply in love. And how much fun was it to have the wife be the military one and her husband be a little insecure about the close bond she had with her commanding officer. And there was nothing going on! \o/

One irony I've found in following one of the gay storylines in a soap opera is the writers are obviously trying to avoid potential landmines of showing love scenes like het couples would have, so the actors are really working their acting chops to convey their characters are in love. With most of the contents of the writer's bag of tricks hidden away, we got more old-fashioned romance. Imagine that.

I guess the short version is I'm a romantic, but give me romance. A real one. Not UST, WTOWT crap. Ship or get off the pot. *g*

Date: 2009-09-20 03:38 pm (UTC)
From: [identity profile] sars.livejournal.com
It's not even the wtowt aspect that annoys me for the most part. It's shoving the male and female leads together regardless of whether the actors have any chemistry together which bugs me the most.

Date: 2009-09-21 05:22 pm (UTC)
From: [identity profile] gategrrl.livejournal.com
Yeah. It's endemic. I wish studios and producers and lazy writers would stop demanding it.

Date: 2009-09-21 06:42 pm (UTC)
ext_3440: (Default)
From: [identity profile] tejas.livejournal.com
That and somehow refusing to see the positive side of having men and women being just friends. Even *best* friends. There's a recipe for drama right there if they just wanted to go for it. My kid runs into trouble with that right now. Her best friend is a guy and his girlfriend is sometimes freaked by it. Kid has zero interest in him as a boyfriend and vice versa.

Date: 2009-09-21 11:50 pm (UTC)
From: [identity profile] sars.livejournal.com
This is where a lot of kids television is doing a much better job. We watch iCarly and the three leads, two girls and a guy, are all just friends.

Date: 2009-09-21 11:51 pm (UTC)
ext_3440: (Default)
From: [identity profile] tejas.livejournal.com
Yeah, my kid likes that one, too and partly for that very reason.

Date: 2009-09-21 11:55 pm (UTC)
From: [identity profile] sars.livejournal.com
iCarly is pretty fabulous. I don't know who's more excited when we get a new episode, myself or my daughter :)

Nickelodeon seem to be really good at this type of show. Wouldn't touch anything Disney with a ten foot pole. They're just as bad as the adult networks.

Date: 2009-09-21 11:59 pm (UTC)
ext_3440: (Default)
From: [identity profile] tejas.livejournal.com
I confess, I always liked Fairly Odd Parents more than my kid did. :-)

Date: 2009-09-20 05:03 pm (UTC)
From: [identity profile] moonshayde.livejournal.com
I hate it. I don't mind it if done well, but there is a certain expiration date on those types of plots. Once you pass the expiration date, forget it. And since 99% of shows do pass the expiration date, I tend towards shows that don't use this plot to begin with.

Date: 2009-09-21 05:25 pm (UTC)
From: [identity profile] gategrrl.livejournal.com
LOL--the Guy DLd Farscape recently, or streamed it or something like that, and I started watching it with him last night, after trying REALLY REALLY HARD to get the bad putrid taste of Vala out of my mouth. Fortunately, Claudia and Ben's first incarnations as Aeryn Sun and John Crighton were not nearly as horrible as their stints on Stargate, and I was able to get back into their characters for Farscape (which was a much more charming show than SG at that juncture).

I don't mind what's going on in Farscape because that was a main plot string. Other shows? No.

Date: 2009-09-21 05:32 pm (UTC)
From: [identity profile] moonshayde.livejournal.com
I agree that Ben and Claudia had much more to work with and had a better run on Farscape than SG-1. And the will they/won't they wasn't annoying on there, and their acting was top notch. Sadly, I find that show to be rather pretentious and overrrated, so I don't get much joy out of it.

Date: 2009-09-21 06:36 pm (UTC)
nialla: (Farscape - That's Really Big)
From: [personal profile] nialla
Imagine being a Farscape fan, knowing what Ben and Claudia can do, then seeing what Stargate's TPTB did with their characters. It brought it into sharp focus that the problem was the writing, and even good actors can't salvage some of the dren Bridge has put out in recent years.

Date: 2009-09-21 08:30 pm (UTC)
From: [identity profile] gategrrl.livejournal.com
I *was* one of those fans-not a rabid fan, unlike some unbalanced I've met on the internet-but still, enough that I was beyond pumped when I heard that Ben was going to be on SG1.

And the writing was never *great*. At least the original characters had been settled and written consistently before the big shake-up, and the established actors had something to work with, if they wanted.

Date: 2009-09-21 08:49 pm (UTC)
nialla: (Stargate)
From: [personal profile] nialla
I was thrilled to hear Ben was joining the cast, even that he went so far as to mainline all the DVDs so he could understand the show's past storylines.

No, the writing was never great, but the characters were generally interesting (though technically half of the leads came from the movie) and the actors could really lift things. In later years, even before RDA left, you could tell everyone was getting tired. Their characters became more like them, they didn't have to "act" as their characters, so I didn't "see" their characters very much.

I sometimes wonder if it would be viewed with 20/20 rose-tinted glasses as a better show if it had ended at the end of the Showtime years. Leave things hanging with Daniel out doing the glowy Ascended thing, and not trying to completely change the dynamics again.

Sure, there would have still been people complaining to this day about how it shouldn't have ended then, it could have gone on longer, etc., but I've found I have much better associations with shows that "ended too soon" versus those that didn't.

Date: 2009-09-21 04:45 pm (UTC)
ext_2780: photo of Josh kissing drake from a promo for Merry Christmas Drake & Josh (Default)
From: [identity profile] aizjanika.livejournal.com
Me! I hate that scenario almost all of the time. I've been watching The Closer recently (from Netlix) and one of the things I liked about it was that it showed the progression of her relationship and eventual marriage and there never was that "will they or won't they" thing. Well, I never saw that anyway.

I recorded a couple of episodes of Bones recently. I'd never seen it and knew nothing about it--not even the actors. I watched one episode and part of another, and I didn't like it. I have no clue if there was a "will they or won't they" thing going on, but I didn't like either of the main characters (or actors) at all. It's possibly one of those shows that would have to grow on me, though. I try to remind myself that it was at least 10 episodes in before I liked Stargate even a little, and then it wasn't until the end of the first season that I loved it. Few shows make it beyond that 1 - 2 episode thing with me, though.

Being Human is another one I quickly dropped. I'm not sure if it was the relationships between the main actors or if it was just that I found all three of the main actors completely unappealing. And the show itself was boring.

I actually watched many episodes of Leverage, though, but it still does nothing for me even though I adore Timothy Hutton. The show itself is boring and is a chore to watch. If I have anything at all to watch, I'll put off watching Leverage, and I have a feeling, I am never going to watch it. I dislike the whole thing between the main guy and the woman, but I don't think that would keep me from watching the show in this case if there were anything else to keep me watching. Alas, not even Timothy Hutton can keep me watching.

Interesting blog about Moonlighting. I remember just getting bored with the show. I'd already stopped watching by the time the two main characters got together. And, yes, I really, really hate how every show feels they have to invent some sort of UST between characters when it's not necessary. I also don't think every show has to have some sort of romance to it.

I mentioned The Closer above. The romance on that show was done right. It was integral to the character to give her a life outside of the office. It's the kind of show that it is. I've also been watching L&O: Criminal Intent lately, and I *love* that there appears to be no romance on that show whatsoever. Yay!

I won't stop watching Psych because of the Shawn/Juliet thing or the Shawn/Girlfriend thing, but I do find both of those things to be annoyances and distractions from the show--at least, the show as I liked it originally.

I would have hated it if Monk developed a long-term romantic interest. I'm glad they did nothing more than flirt with that in a couple of episodes over the years. That was enough.

Date: 2009-09-21 05:21 pm (UTC)
From: [identity profile] gategrrl.livejournal.com
Ugh, Monk. I almost stopped completely watching it when the new assistant showed up (the current blonde one) and they kept hinting at "something more" between the two of them. I thought it was...distasteful and inappropriate for that show. Thank heavens they backed away from that budding dynamic. I still don't like her much compared to the original assistant and her son. (mindwiping on her name).

Yeah, they backed away from it on Psych, and Shawn's girlfriend isn't a ball and chain. He was made out to be a ladies man back at the start of the show, and then they sort of dropped it after a season and a half. He's still a boy-man, though, so I can't see any relationship lasting long with him anyway.

Date: 2009-09-21 07:16 pm (UTC)
ext_2780: photo of Josh kissing drake from a promo for Merry Christmas Drake & Josh (Default)
From: [identity profile] aizjanika.livejournal.com
Ugh, Monk. I almost stopped completely watching it when the new assistant showed up (the current blonde one) and they kept hinting at "something more" between the two of them. I thought it was...distasteful and inappropriate for that show.

I didn't like the new assistant at first either, but I have to admit I never noticed that. It could be because I've just watched the episodes randomly over the last few months and not all in order, though I think I've seen them all now. This current season is the only one I've watched as it aired (still recording and watching later, though).

After a while, I came to like Natalie (new assistant) much better than Sharona. Sharona treated him like a child and was quite mean to him sometimes. That grated on me once I'd seen more Sharona episodes. Natalie can be annoying and even cruel sometimes, but Monk is thoughtless and selfish, too, and overall, she at least treats him like an adult.

Date: 2009-09-21 06:46 pm (UTC)
nialla: (TV)
From: [personal profile] nialla
The Closer did a good job of showing two professionals getting involved together. Even though (thankfully) they do not work together, they can understand each other's job and the demands, and sometimes there's conflict when both the LAPD and FBI are involved in a case and they're caught in the middle.

I'm pretty sure Fritz should be up for sainthood sometimes, but we have seen cases in which he can be just as focused on the job as Brenda. I think they balance out well in the end.

I'm really surprised you dropping Being Human quickly, as there's only 6 episodes. If you don't mind me asking, how many did you watch?

I watched the first season of Leverage on DVD. I like the concept and characters overall, but the whole WTOWT on top of "man getting revenge for his dead child" trope was a bit much. If they'd ditch WTOWT, I'd be thrilled.

Date: 2009-09-21 07:12 pm (UTC)
ext_2780: photo of Josh kissing drake from a promo for Merry Christmas Drake & Josh (Default)
From: [identity profile] aizjanika.livejournal.com
Fritz is awesome. *g* And you were right about this show. I found it annoying at first and Brenda's accent was annoying, but you and David Hewlett convinced me to give it another chance. *g*

I thought this season was the first season--I thought it was a new show. I was surprised near the end of the season (or after the end?) when they were advertising season 4 on DVD, so I had to get the rest of it on DVD. I'm glad I did. I've really enjoyed it.

I'm also really, really glad that they eventually dropped the "everyone hates Brenda and makes her life difficult" thing, though I do think it was well-done and probably realistic for someone in her position--being the new guy, taking over for someone already established, jumping over the heads of people who might have been promoted, AND a woman with a thick, Southern accent... *g*

I sort of disliked the fact that they set her up as having had an affair with a married man who was now her boss, but overall, they've done pretty well with that, too. I think it's clear that, in the beginning, the chief was harboring feelings, but it's also clear that he brought her in to do the job and not for other reasons. Or at least, that's how I read it. While I wish they hadn't saddled her with that cliche background, in this case, they didn't make too much of it, and, really, it just shows that she was young and foolish once like many of us, but that she was really ready for her grownup relationship with Fritz now.

While I prefer when the show doesn't stray too far from the "Brenda solves a case" plot (ex. of straying too far is that episode where they were all in the RV), but I genuinely like the bits and pieces we see of her life, including her relationship with Fritz.

I think I only watched one episode of Being Human and never made it all the way through the second. It wasn't purposeful. I just thought it was boring, and I meant to get back to it, but I never did. There's only six episodes? I probably should have given it more of a chance, I guess. *g*

Re: Leverage -- I'm not quite sure what's not working for me. I'm still recording it, so I may get back to it, but I just find myself avoiding it, because I think it's kind of boring. I'm not really a fan of the general setup of the show, and none of the characters really grabbed me.

The problem could also be that I started watching it this season, so I've never seen the earlier seasons. It seemed like they'd done some sort of reboot and that the Timothy Hutton character used to be an alcoholic and/or a heavy drinker previously. I'm not sure I want to go back and watch that as I have a thing about that. lol

I didn't know about the "man getting revenge for his dead child" thing, though. Is it Timothy Hutton's character whose child died?

Date: 2009-09-21 07:39 pm (UTC)
nialla: (TV)
From: [personal profile] nialla
David Hewlett has convinced me to watch a lot of stuff. He's evil. *g*

I thought the "everyone hates Brenda and makes her life difficult" was something that had to be done to establish the character and they did a good job without it going on forever. They wouldn't have liked "her" much as a "him" either, under the circumstances, but it might not have been so obvious with a guy.

I didn't like the backstory of an affair with Pope either, but looking back, it was a sort of retroactive cautionary tale about sexual politics in the workplace. It was yet another thing to make her team think Brenda had slept her way into the job, because she really had slept with Pope.

And I have to add it give me a little smile to see Brenda's addiction to sweets? Just about everyone has some comfort food hangup, and it adds to the character to see that as an ongoing thing.

There's only six episodes to the season with Being Human, so it doesn't quite build the same way a 13 or 20+ episode season would.

As it progresses, you get the backstory into how each character came to be in their current state and how they're (not) dealing with it, with episodes highlighting each combined within the rest of the storyline. They start to come to terms with themselves by being friends with each other.

I also adored that they showed the trio as very supportive of each other, without trying to make it into a love triangle. Annie's a ghost, but still, most shows would have tried to have the boys arguing over her attention, or her mooning over one of them.

Hutton's character setup is that his child died because the insurance company he worked for wouldn't pay for a treatment. IIRC, it was experimental, so there's no guarantee he would have survived anyway, but he latched on to how even that chance was given to him.

I've recorded season two that's aired so far, but haven't watched it. They did have an ongoing storyline in the first season about Hutton's character drinking a lot after his son's death, and what I've heard about the fallout of the finale doesn't inspire me to watch right away.

I like the "Robin Hood" aspect of someone helping the little guys against the big guys, and generally doing it with style, but the UST and the actress they chose for that role both annoy me.

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